ENERGY AND PROCESS
WILLIAM EGGLESTON
"I don't have a burning desire to go out and
document anything. It just happens when it happens. It's not a conscious
effort, nor is it a struggle. Wouldn't do it if it was. The idea of the
suffering artist has never appealed to me." (O’Hagan, 2004, www.theguardian.com)
William Egglestone's work is part of the Energy and
Process exhibition taking place at the Tate Modern. Simon Baker and Shoair
Mablian have curated the exhibition.
William Egglestone's photographs are set out around
the room in square black frames and they are placed at eye level so you are
completely drawn in straight away. The theme of his work is "Life
Today"; the photographs include elements of his particular style such as
bold colours, interiors, cars and petrol stations as well as portraits of
strangers in the street. The vibrant colours are contrasting with vivid reds,
blues, and greens. The striking bold colours are particularly interesting in an
image of an old fashioned petrol pump as the bright greens and reds contrast
with the natural beauty of the trees casting a shadow over the background and
then the sunlight coming through from the bottom corner showing the warmth.
This photograph shows how life today is battling the
differences between nature and the human man. It shows everyday surroundings
and the differences between the old and new, it clearly captures his world and
his hometown. “Chrome is a selection of images from 1969-74 using Kodachrome or
Ektachrome film, while Election Eve was taken during the run up to the 1976
presidential election and records a road trip around Plains County and Sumter
County, Georgia, where Jimmy Carter's campaign headquarters were based.” (Baker
& Mavlian, 2013, plaque) Therefore his work is retrospective as the
photographs are mainly from a road trip so it is looking back on what he had
seen.
This particular exhibition is inspiring even though
his photographs are simplistic, the attention to detail and photographic style
make them much more impactful. The locations and settings of the photographs
would be perfect for fashion photo shoots and films, particularly the one of
the road trip as it would be an ideal location for an editorial.
Bibliography
Exhibitions
Energy and Process, Tate Modern. 03/10/2013
Websites
O’Hagan, Sean (2004). Out of the ordinary. [online] London, The Guardian. Available at http://www.theguardian.com/artanddesign/2004/jul/25/photography1 (Accessed on 03/10/13)
Plaque
Baker, Simon and
Mavlian, Shoair. (2013) Energy and
Process. London, Tate Modern.

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